DNA | YURUUI主理人之家 · Travel At Home

刘溜溜 · 发表于 2024-7-20 15:00:50

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“我相信自己已经找到一个不那么严格的原则：风格融合。那些从过去延伸至今的优秀佳作，依旧能被现代创意所接纳。正如我们所建构的现代房屋，也可以拥抱并迎接那些古老事物的美好。”

“ I believe that I have found a less strict principle: Style fusion. The masterpieces that extend from the past can still be accepted by modern ideas. Just as the modern houses we build, we can also embrace and meet the beauty of those ancient things. ”

——Jean-Michel Frank

▼本案的屋主是一位中古玻璃杯的狂热者，她收藏了成千上万只杯子并在之后创立了YURUUI品牌，为中古杯的狂热爱好者们打通了收藏的桥梁，这些杯子来自世界各地，展现出不同国家的文化历史、工艺特色。我们听她说了许多关于她和杯子的故事，但关于家我们并没有围绕杯子的主题去设计，而是将这份独特的审美眼光转移到室内和家具领域中。

The owner of the project is a medieval glass enthusiast, who collected thousands of cups and founded the brand of YURUUI for the medieval cup enthusiasts to open the bridge of the collection. These cups come from all over the world, showing the cultural history and technological characteristics of different countries. We heard about the stories with the cups. But instead of designing her home around the theme of cups, we shift this unique aesthetic vision to the interior and furniture areas.

设计之初，我们并没开始着手空间的规划，而是对家具产生了探讨，过程中我们对设计师Jean-Michel Frank的设计理念一拍即合，J-M Frank被誉为“装饰艺术Art Deco”的代表，是法式极简现代主义设计的开创鼻祖。他的设计线条规整，造型简约，摒弃任何繁冗装饰，以此提取「用简约包裹华丽」的设计理念，将来自世界各地的文化融合，打造极简外表下又富有生命力的家。

At the beginning of the design, we first discussed the furniture, rather than the spatial planing. During this process, we clicked with the design philosophy of Jean-Michel Frank. J-M Frank is known as the representative of the "Art Deco", and is the founder of French minimalist modernist design. His design lines are neat and simple, abandoning any redundant decoration, so as to extract the design concept of "gorgeous with simplicity", and integrate cultures from all over the world to create a home full of vitality under the minimalist appearance.

▼除了各式的玻璃器具，YURUUI还收藏了许多来自非洲的木质雕塑，它们线条优美、形态夸张，作为艺术陈设为空间增添了许多“生命感”。

In addition to various glassware, YURUUI also collects many wooden sculptures from Africa. They have beautiful lines and exaggerated shapes, and adding a lot of "sense of life" to the space as art furnishings.

▼Hermes的暗格边几，正是J.-M. Frank的设计手笔，蜡染过的麦秸秆手工拼贴出放射纹，在光线下散发不同的颜色，用最朴实材质设计出华丽的质感。

The side table of Hermes is designed by J-M Frank. The batiked wheat straw is hand-collaged with a sunburst pattern, which emits different colors under light and is designed with the most earthy materials to create a gorgeous texture.

▼我们在设计中利用线框、阵列来强调”简洁有序”，为此我们定制了方形正铺的木地板，如同铺设石材的方式工整有序地展开。
In the design, we make use of wireframe arrays to emphasize simplicity and orderliness. For this purpose, we custom-made square in-line wooden flooring, which unfolds neatly and orderly like the way stone is laid.

Sofa：Liaigre Rocco Sofa
Armchairs：Phantom Hands
Table Lamp：Martinelli Luce, Minipipistrello lamp

▼客厅的边柜来自北欧家具设计大师Hans J.Wegner RY-25，包浆的黑黄檀木纹充满了自然张力。

The side cabinet RY-25 is from Hans J.Wegner, a Nordic furniture designer. The surface texture of sandalwood, which has been formed by the friction and precipitation of the years, is full of tension.

▼Liaigre Nagato实木墩子的设计概念，是在将来的使用过程中仍然会产生出随机的裂痕，来显现天然材质生命力的特征。

Liaigre Nagato's desgin concept is that solid wood will continue to produce random cracks during future use, showing the vitality of natural materials.

Bench：Poliform

Leisure Chair：Fritz Hansen PK0
Floor Lamp：Ingo Maurer Babadul Floor Lamp

▼将原有的客卫拆除后，由橱柜品牌Poliform打造开放式厨房以及4米的超长岛台以满足公区的社交需求。
After the demolition of the original guest bathroom, the brand Poliform created an open kitchen and a four metres long island to meet the social of the communal area.

▼横纹的胡桃木和灰洞石在镜面的反射下，表现出强烈的线条张力。

[color=rgba(0, 0, 0, 0.9)]The horizontally striated walnut and grey travertine show a strong line tension under the reflection of the mirror.

Cabinets：Rosewood Pre-loved tall cabinets

Dining Chairs：Fritz Hansen PK9
Table：KNOLL Saarinen Dining Table

▼由原有的家政阳台改造而来的书房空间，陈列着许多关于杯子的书籍，是最佳的独处之地。
The original housekeeping balcony was transformed into a study room, where many books about cups were displayed，making it the best place to be alone.

Desk：Dassi Mobili Moderni Palutari Edmondo 1960s

Chair：Niels Jørgen Haugesen 1980s

▼树瘤，是树在生长过程中经历的沧桑印记，每一次风雨的洗礼，都在树干上留下了独特的痕迹。这种奢华的材质，同样被矩形阵列的方式来做最简洁的处理。

A burl is an imprint that a tree experiences as it grows. Every time a tree has experienced of wind and rain will leave a unique trace. This material is treated in the most concise way by a rectangular array.

▼在窗帘面料的选择上，也能见到矩形阵列的形式，这和木地板有着相同的设计理念。

In the choice of curtain fabric, the form of rectangular array is still presented, which has the same design concept as the wood floor.

▼相较于公区的多样性，卧室则安分许多，只是保留了局部的树瘤纹装饰，其余的留白不会给卧室空间太多的信息量。

Compared with the diversity of the living area, the bedroom is much simpler, only the decoration of the tree burl texture is retained, and the rest of the white space does not give much information to the bedroom space.

▼主卫使用浑然一体的白洞石岩板，营造简洁、轻盈的氛围。
The master bathroom uses a seamless white travertine slab to create a simple and light atmosphere.