Andrew Trotter工作室的最新项目Casa Soleto位于普利亚中心一个安静村庄的17世纪宫殿内。Andrew Trotter和他的合作伙伴Marcelo Martinez精心修复了这座历史建筑,为客人提供了一种真实的“乡村生活”体验。
Studio Andrew Trotter’s most recent project Casa Soleto is housed within a 17th-century palazzo in a quiet village in the heart of Puglia. Andrew and his partner Marcelo Martinez lovingly restored the historic building to offer guests an authentic experience of “the village life”.
Built in the 1700s, the building had all the charming characteristics of a baroque-period palazzo: brick cladding, high-vaulted ceilings, an outdoor courtyard and garden, and its own chapel. The building’s age, however, did present several challenges for Andrew and Marcelo. The walls in places were beginning to crack and erode, and some of the ceilings needed replacing, not to mention there was only one bathroom in the whole house.
But the result was well worth it. From the moment you enter through the courtyard, time really does stand still.First, you step into the main living space, which connects to the kitchen and behind that, where the old chapel used to be, the media room, which has its own powder room and outdoor shower. Connected to the main living space is a majestic dining room with another powder room and, on the opposite side, the‘garden room’.
The upper floor is reached via a staircase in the entry courtyard. At the top of the stairs, you’ll find the ‘green room’, which acts as a landing for three spacious bedrooms, accommodating up to nine guests. Each bedroom and en suite – a significant improvement from the original one-bathroom house – offers something unique. On the upper floor, the bedrooms are connected via the ‘green room’. All of the internal doors were restored and the external doors were recreated by artisan woodworkers from Lecce.
As for the design itself, Andrew and Marcel wanted to maintain the building’s historic charm while bringing it into the present, which resulted in a delicate balance between restoration and modernisation. For furniture, the pair sourced antique pieces from around the village and paired them with several custom-made pieces. Most of the artwork they purchased themselves, except for three paintings that were done especially for the house by a good friend, Eleanor Herbosh.